Category Archives: film/television

History of Cornrow Braiding

The History of Cornrow Braiding” has taken the art of cornrow braiding to the next level. The folks at Rensselaer Polytechnic Institute (RPI), have developed a site which examines the African cornrow hairstyle and it’s relationship to four geometric concepts: translation, rotation, reflection and dilation.

The site even hosts a software for individuals to create their own patterns based on the number of plaits, starting point, starting angle and other variables.

Jacqueline Green from Expert Village breaks down the history of cornrows a bit more:

Color Me Black Panel Presented by Sankofa 2.5

As our offline discussions around technology and digital media continue, Beta Bahil and co-sponsors of Sankofa 2.5, the Atlanta BDPA and Noire Digerati, will be presenting the panel discussion “Color Me Black: Exploring the Presence of the Africana Culture in Comic Books, Graphic Novel and Animation.” The panel will take place on Saturday, September 4, 2010, as part of the Auburn Avenue Research Library’s Alien Encounters program.

Currently, confirmed panelists include Dawud Anyabwile of Big City Entertainment and Creator of Brotherman Comics:

Nicholas Da Silva of the comic book Dread and Alive:

Also, we will be joined by Joseph R. Wheeler III, artist and founder of ONYXCON, Atlanta’s annual Conference/Convention which celebrates the very best of the impact, contributions, and presence of the African Diaspora in popular arts and culture. Below is a brief interview with Joseph at 2010’s ECBACC conference.

The event is targeted at youths and the community who are interested in the persons, technology, and process used by leading thinkers/creators in Animation and Comic Books.

Related Blog Posts and Links:
Sankofa 2.5 (Part 1)
Sankofa 2.5 Community Forum on Digital Media

The Story of Stuff

This is a great online video produced by The Story of Stuff Project. In addition to the content, schooling the audience on sustainability, the coolness of the clip is her use of simple animation to cover such a huge and complicated topic.

Sankofa 2.5

Sankofa 2.5 Panel

Sankofa 2.5 Panel

The Sankofa 2.5 Community Forum and Workshop took place at the Auburn Avenue Research Library on April 10, 2010. Panelists Camaal Moten, James Harris, Amani Channel and Chidi Afulezi covered topics ranging from mobile learning, digital literacy, augmented reality, to video blogging and the importance of leaving a digital footprint for future generations to access our stories.

Thanks to the Program Division of the Auburn Avenue Research Library for their support and assistance, the panelists and community members in attendance. We will be organizing more workshops in the coming months. Until then, you can view photos from last Saturday at our Facebook Fan Page.

Resettlement in Australia

Below is the story of a family resettled in Tasmania, an Australian state and island located south of the country.

Related:
B.L.A.C.K.- An Aboriginal Song of Hip-hop
Quickly Settling Into a New Country

Candombe and Uruguay

“Welli Candombe“, a short film by Michael Abt

The Candombe and its Socio-cultural space: A Community Practice


View Larger Map

Breaking In Uganda

Break Dance Battle -(One of the Best I’ve Ever Seen)

Hip-Hop at H.E.A.L.S. in Gulu, Uganda

The Soul of Ashanti

Will be airing soon on the Africa Channel.

Besouro(Movie about the Brazilian Capoeira Legend Besouro Mangangá)

Brazil release date, October 30, 2009 with US release slated for November.

Trailer

Clip

African Film Library

M-Net, the South Africa based media company that produces Big Brother Africa and runs satellite networks Channel O and Africa Magic will be launching an online service called the African Film Library.

The websites describes the service as follows:

The African Film Library is an M-Net initiative showcasing the best of the African film industry – making the movies easily accessible for movie aficionados around the world.

The African film industry is one of the oldest – with its roots in Ain el Ghezel (The Girl of Carthage), which was produced in Tunisia by Chemama Chikly in 1924. M-Net has spent the last three years negotiating the rights to almost 600 works in English, French, Arabic and Portuguese and digitally remastering them.

The library forms an important archive of the continent’s cultural cinematic heritage, and also, for the first time, makes the African artists’ works easily accessible by a wide viewership around the globe – creating a new audience for existing and emerging filmmakers.

If you have ever tried to find some of the films listed on the site, you can appreciate the innovation of the platform. The site is built similar to most video sharing portals, where one registers to gain access and digitally rent movies as well as rate and leave comments. It is parallel to Jaman in many ways, though Jaman’s African movie selection is limited and the African Film Library focuses strictly on African films. There was no indication on the cost of a movie rental, but that one will first buy credits that can then be used towards film rentals.